Colin McMullan and I was commissioned to participate in City-Wide Open Studios: Alternative Space weekend with the theme DWELLING in mind. The work was designed for the dimly lit, quiet, secret space of the attic. We created a dreamlike world of images, objects, and actions. Two videos played side-by-side, one played then subsided and the other began. The work incorporates objects, materials, and themes from our individual practices along with new work we produced together for this multimedia collaborative installation.
2 channel HD video projections 15′ x 8′
Front room displayed two parallel projections, at the same time the golden house to the left and handmade boat to the right into could be viewed through parallel doorways.
handmade boat [modeled from a Irish Currach & Umiak design]:
willow saplings & split locust gunwhales, grape vine, nylon sailmaker’s twine, canvas, tar, driftwood
chess set: whittled wood, stone, metal
duck house: 1 channel video loop, cedar, dried duck feet
golden house: emergency blankets, pvc pipe, electrical tape
wooden post & sprouted acorn
pile of sprouted acorns
yak hat w/ headphones playing live 24/7 weather feed
To find out more about what influenced the making of the Golden House in this piece go to this blog this blog post that talks about the VAGABOND project. It is an extension of this concept and this collaboration is considered part of the series.
Here is the book Colin McMullan wrote ‘A Boat to Find Christine Period,’ a small hand-stitched photocopied book in an edition of 31, documenting his research and building process, and incorporating 6 woodblock carvings and engravings, as well as some drawings and a bibliography. Copies of the book are for sale in the Emporium. Head to his webpage to view the full contents.
During my time as an artist-in-residence at Santa Fe Art Institute (SFAI) I began a new body of work titled ‘VAGABON.’
I wanted to reference aspects of New Mexico’s history particularly the Pueblo Revolt and dedicate this project to my mother.
The process of these forms began with a cast of my face that I created three different mask from made of sun dried terracotta (red clay) and macrame military parachute cables.
These are the three mask of ‘SEARCHING, ‘ each has a different way of seeing & experiencing the world. The first is for exploring and finding ones way, the second is for knowing and understanding. The circular eyes mimic the Ouroboros snake that consumes it’s own tail, symbolizing self-reflection and cycles. The third is for seeing without looking, its eyes are closed but is able to see.
I also created a macrame shawl made of military parachute cables, it’s ends have knots like those made by the Pueblo Indians who kept knots in a rope to count down the days until the Pueblo Revolt. I had to use my whole body to create this piece, using my legs and arms to separate the cords then knot them in the right places.
My goal before arriving to SFAI was to figure out how to make work again after the loss of my mother last December. This process of morning and reverence needed to be incorporated into the work.
I wanted to make forms that reminded me of home. I came to the conclusion that I was what reminded myself most of my mother. So I used stones and my own body to form these ‘objects,’ creating a heart like form; then cut them open and filled them with my mother’s ashes.
Traveling through different locations throughout New Mexico I wanted to create a sense of multi-dimensional space. Bringing the viewer from below to above like a rebirth, a continual loop. I worked within abandoned Kiva’s, focusing on a constructed one at Pecos National Park. I wanted to bring back a sense of purpose for these sacred places that are now tourist attractions. Allowing them to once again be used for ritual and remembrance.
Rebecca Solnit ‘s book ‘A Field Guide to Getting Lost’ sums up well my feelings as I journeyed through this project.
Light at the blue end of the spectrum does not travel the whole distance from the sun to us. It disperses amongst the molecules of the air…The world is blue at it’s edges and at it’s depths.
This blue is the light that got lost.
The color of that distance is the color of an emotion, the color of solitude, and of desire. The color of there seen from here, the color of where you are not, and the color of where you can never go. For the blue is not at the place miles away at the horizon but in the atmospheric distance between you and the mountains…
Blue is color of longing for the distances you never arrive in…
…If you can look across the distance without wanting to close it up, you can own your longing the same, as you can own the blue that can never be possessed. For something of this longing will, like the blue of distance, only be relocated not assuaged by acquisition and arrival. Just as the mountains cease to be blue when you arrive among them, and the blue instead tints the next beyond…
Erector Square Studios
315 Peck Street
New Haven, CT 06513 [MAP]
Studio: Bld. 6e/ Fl. 02/ Suit G
Come see my new video 3 SISTERS: SustainABLE and other associated works at CWOS. This is a entire weekend of viewing work and visiting artists studios, the building will be open showing hundreds of artists and their work, check out what everyone has been working on. I will have a number of new and older works for sale at a special price.