Closing Conference | Vagaries of the Commons

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Closing Conference

Vagaries of the Commons

Saturday, September 13 @ 12:00-6:00 PM
Artspace, 50 Orange St.,
New Haven, CT 06517
http://artspacenh.org/

Go to the link below for the full conference itinerary:
http://artspacenh.org/events/closing%20conference

Panel Discussion
3:15 – 4:30pm

Dr. Gary Aronsen (Research Associate & Supervisor of Yale Biological Anthropology Laboratories, Yale University) and I will be speaking on the topic:
How Bones Talk: Anthropology and Mythmaking Working Together

with:
Evidence Fetish: Excavating the Public’s Trash and Artifacts
Mengyu Chen – Discarded Data as Content
Brooke Singer, Ricardo Miranda, Brad Armstrong and
Nadine Nelson – Discarded Food as Content for the Belly and the Garden

Also speaking & showing:
Elm City Dance Collective; Jason Friedes; Philip Lique; Under 91 Project; Project Storefronts; Occupy New Haven + more…
I hope to see you all there, let me know if you going to make it and I’ll keep an eye out for you!
The event is FREE but please sign-up RSVP Here.

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VAGARIES OF THE COMMONS


curated by Sarah Fritchey
July 25 – September 13, 2014
Opening Reception on Friday, July 25 @ 5:00 – 8:00 pm
A two-day conference on September 12 & 13 and a performance series will accompany the exhibition.

I have collaborated with Dr. Gary Aronsen Ph.D (Research Associate, Anthropology Laboratories at Yale University) in installing my 3 channel projection and sculptural pieces of Shrine of the Common & Undivided Land with his research addressing the bodies found under the Lincoln Oak Tree  after its fall on October 31, 2012 on the New Haven Green. This installation is divided between this exhibit and the one currently showing at the New Haven Museum in the Nothing is Set in Stone

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Artists and contributors include: Brad Armstrong, Ricardo Miranda and Brooke SingerLani Asuncion and Gary Aronsen; Mengyu ChenThe Elm City Dance CollectiveJason Friedes; Focus Lessness (Michael Romano and Milton Laüfer), Occupy New HavenPhil LiqueProject Storefronts;Scott Shuldt; and Under 91 Project. 
Projects that are a part of the exhibition include:

  • “I’m Open Come On In” by focuslessness, a daily take over of the Artspace sandwich board. View images from the project, here.
  • Artist Phil Lique is taking over the Artspace homepage each day, view the project here
  • The Excess Project presents a series of posters about excuses people give about not composting (designed by Jerome Harris) here.

The concept of “the commons” predates the feudal era in early Germanic and Roman settlements, where communal land ownership prevailed.  Originally, the concept referred to the public’s interest and right to access essential natural resources that are held in common and not owned privately, including land, water, animals and fish.  Gradually, as royalty and then a central government gained power, the notion of communal land ownership disappeared and the concept of “the commons” evolved.

This exhibition presents a group of artists, based in and around greater New Haven, who make works that operate within the penumbras and cracks of the legal systems that oversee its “commons”.  These grey zones are the flexible and the often vague environments from which the show’s title takes its inspiration.

The show identifies four specific sectors and human rights questions addressed by artists practicing in and around New Haven.  These include: the material commons (who has the right to order the build and name structures, homes, cities, maps?), the knowledge commons (who has access higher education, public libraries, the internet?), the aesthetic commons (who has the right to define and control image production?) and the affective commons (how are emotions policed and kept public/private?).  The essential question that each work asks is: who has the right to have a voice?

Summer Intern & Studio Assistant: OluShola Cole

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This summer artist OluShola Cole will be my Summer Intern & Studio Assistant. We are woking together to create a balanced working schedule that enables me to get the assistance needed in the studio and on the field, but also cover aspects of video production and other multi-media skills she is interested in exploring further.

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Next semester Shola will begin her 2nd year of studies in the Mount Royal Interdisciplinary Masters program at Maryland Institute College of Art (MICA). She is working in mixed mediums of performance, video, movement, installation and sound, embodying the research of integrated pirate and slave communities through a cultural and expressive lens in her work Jenny.Was.A.Pirate.Hater  watch a video of her performance here.

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Currently she is assisting me with the production of and performing in a new work that will be exhibited in ‘Vagaries of the Commons‘ at Artspace showing July 25 – September 13, 2014 curated by Sarah Fritchey. She will also be helping me prepare pieces I will use in the new 3 SISTERS: SustainABLE video in produciton during an upcoming artist residency in July at Elsewhere Living Museum in Greensboro, NC.

It is nice to have the chance to share my skills and technique with another artist and see how she will implement these things within her own work. I hope this will be the beginning of a long thread of working together on many more projects and collaborations in the future.

3 SISTERS Part II Kickstarter

THIS PROJECT WAS FULLY FUNDED!!!

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I am excited to share the news of a new project and artist residency!

I’ve created a  KICKSTARTER Project which will help support the new work,  3 SISTERS: SustainABLE, that will be in production at Elsewhere Living Museum in July. The funds from KICKSTARTER will go to making a new video & installation at Elsewhere as well as bringing a spot light on local organic farms in North Carolina.

ABOUT PROJECT
Part II of my 3 SISTERS Series will reference the North American and Mesoamerica story of the Three Sisters: Corn, Squash, and Beans. The stories revolving around these mythological deities describe how they support one another and help the humans that they feed from their harvest. The agricultural system of the plants complementing and helping the other grow is enhanced in a technique known as companion planting. I have done an extensive amount of research on the different existing stories and studied the different companion planting formations. In a combination of these references and my own personal interpretations I will create an abstract narrative. The larger issues I would also like to address is the use of GMO Crops by companies throughout the US and its effects on the environment. I am currently working on getting in contact with local organic farmers to obtain access to shoot on their fields, and bring focus and exposure to their farms.

 

FUNDING GOAL

The $1,500 + or more funding I aim to raise will go to the following:

+ Residency fees:  $500
+ Travel (round trip drive):  $250
+ Materials:  $250
+ Casting materials:  $200-350

+ Professional performer fees
**(Possible if extra funds are raised)

 

REWARDS

As gratitude for all of your support I will make the following items available as ‘THANK YOU’ rewards. 
Here are a couple images and examples of the reward book from
Part I; 3 SISTERS: Lost Myth:28 pg.
7 x 7 in. (18×18 cm)
Matte color print
Book Link ]
+ Postcards of a selected video still form the new video 3 SISTERS: SustainABLE.

+ I will go on a scavenger hunt to find secrete hidden treasures in the Elsewhere Living Museum and send a documented image of them. A personal ‘THANK YOU!’ video will be made complied of these images and reference to contributors.
++ With a little more support form you I will ANIMATE that object, yes it will sing & dance personally thanking you.

+ There will be a couple small sculptural pieces that will be made out of the materials used in the piece: corn husk, cobs, and beans. The first sculptural reward is wearable and upon request all of them can be made to be worn, just message me in comments.

Thank you for taking the time to look at this project and your consideration of becoming a backer!

 

Nothing is Set in Stone: The Lincoln Oak & New Haven Green Exhibit

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Nothing is Set in Stone: The Lincoln Oak and the New Haven Green 

Opening at the New Haven Museum on April 30th @ 5:00-8:00 PM [Map Here]

The exhibit will be on view during April 30 – November 02, 2014  [Facebook Post]

Nothing is Set in Stone: The Lincoln Oak and the New Haven Green is a pairing of contemporary art and archaeological analysis featuring new works by:

Lani Asuncion
Susan Clinard
Erich Davis
Michael Quirk
Jeff Slomba
Rachael Vaters-Carr
Alison K. Walsh

In October 2012, winds from Hurricane Sandy toppled the Lincoln Oak, revealing a partial human skeleton among the tree’s exposed roots, along with two buried time capsules, creating an enigmatic story that captured the imagination of the entire country.

For the artistic portion of this exhibit, the artists used branches, limbs, or pieces of the trunk of the Lincoln Oak to interpret the history of the tree and the discoveries found beneath it.

The exhibit also features the results of the on-going archaeological analysis of the bones and materials found beneath the tree. This includes displays of the time capsule contents, and the inquiries into the possible identities of the skeletal remains.

For more information please contact info(at)newhavenmuseum.org or Jason Bischoff-Wurstle at 203-562-4183 x 18

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I will be showing a new work created for this exhibit entitled Shrine of the Common & Undivided Lands which is a multi-media piece that incorporates a one-channel video Reverence and sculptural elements.

Shrine of the Common & Undivided Lands is a memorial tribute to the bones found coiled within the uprooted Lincoln Tree, and all the hundreds of other bodies buried under the Green. In the video Reverence, performers Kate Gonzales and Julie Riccio animate the branches of the tree with a ritual like dance. The cement sculptural base refers to the time capsules found under the tree with a portion of one that was casted into the bone remains of a child and his/her marble, and the ash is derived from the branches of the tree. The large bowl within the cement base is for collecting pennies left by visitors, to show respect and remembrance.